Curriculum
- 1 Section
- 42 Lessons
- Lifetime
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- Mastering Open D Tuning42
- 2.1Introduction
- 2.2Lesson 1: The Tuning
- 2.3Lesson 2: The Major Scale & Its Intervals
- 2.4Lesson 3: Major Scale Horizontal Positions
- 2.5Lesson 4: Major Scale Triads
- 2.6Lesson 5: Harmonizing The Major Scale
- 2.7Lesson 6: Major Triad Inversions
- 2.8Lesson 7: Exercise With I-IV-V
- 2.9Lesson 8: Minor Triad Inversions
- 2.10Lesson 9: Diminished Triads
- 2.11Lesson 10: Harmonizing The Major Scale Triadically
- 2.12Lesson 11: Triad Exercise Changing One Note At A Time
- 2.13Lesson 12: Learning By Improvisation
- 2.14Lesson 13: Triad Voicings
- 2.15Lesson 14: Triad Exercise On 6-3-2 String Set
- 2.16Lesson 15: Triad Exercises Continued
- 2.17Lesson 16: Favored Triad Shapes
- 2.18Lesson 17: Arpeggios
- 2.19Lesson 18: Chord Extensions
- 2.20Lesson 19: Seventh Chords
- 2.21Lesson 20: Harmonizing The Major Scale With Seventh Chord
- 2.22Lesson 21: Favored Seventh Chord Shapes
- 2.23Lesson 22: Thinking Triadically When Soloing
- 2.24Lesson 23: How To Apply Triad Soloing
- 2.25Lesson 24: The Fretboard
- 2.26Lesson 25: Favored Dominant Seventh Shapes
- 2.27Lesson 26: The Role Of Dominant Chords
- 2.28Lesson 27: Digging Into Dominant Sevenths
- 2.29Lesson 28: Guide Tones
- 2.30Lesson 29: Shell Voicings
- 2.31Lesson 30: Blues Exercise With Dominant Seventh Chords
- 2.32Lesson 31: Music Theory In The Blues
- 2.33Lesson 32: The Minor Pentatonic Scale
- 2.34Lesson 33: The Minor Pentatonic Scale – Horizontally
- 2.35Lesson 34: Minor Pentatonic Positions
- 2.36Lesson 35: Personal Approach To The Pentatonic Scale
- 2.37Lesson 36: The Minor Blues Scale
- 2.38Lesson 37: Introduction To Chromaticism
- 2.39Lesson 38: Chromaticism In Use
- 2.40Lesson 39: Minor Keys
- 2.41Lesson 40: How To Play In Any Key
- 2.42Conclusion